Sunday, September 23, 2007

Pick Up Artist - Demonstration of Higher Value

Demonstration of Higher Value (DHV)

Anything you can do that conveys higher survival and replication value is a DHV. For example, if you open a set and you already have two girls with you, you have demonstrated pre-selection, which is a DHV. When girls see that other girls have pre-selected you, they feel more attracted to you as a result.

If a woman discovers that you have a lot of money, it is a DHV. She will find you more attractive, all other factors being the same. But if she perceives that you are trying to impress her with your money, she will then lose attraction. This is because only lower-value people try to impress — such behavior is known as a demonstration of LOWER value, or DLV. If you are trying to impress, you must be of lower status and thus unattractive.

If a woman sees that you have a lot of social proof from gaming the room, she will feel more attracted to you, because social proof is a DHV. If, however, she sees that you are socially unaware and inept, then it is a DLV. When you DLV, it lowers her perception of your S and R value, which makes her feel emotionally less attracted.
Telling stories that are fun, interesting, and emotionally relevant, demonstrates social skill, which is a DHV. A story can also be structured to convey specific characteristics in the subtext, allowing you to surreptitiously flip attraction switches.

Negging is also a DHV, because only a high value guy would talk to her like that, and seem sincere. You must already have girls if you talk in such a way.

Wednesday, September 19, 2007

PickUp Artist - Male competition

Male competition. Yes there are other guys — but they don't count. They don't smile; they don't surround themselves with talking and laughing people, they don't walk around with a smile on their face. Instead they hold a beer to their chest and try to look cool' These guys are not really competition at all.

• Befriend the social guys, and practice gaming them. One of the attraction switches in women is the lender of men switch. When you lead the men, the women will follow.

• Be the observed. There are constantly little events going on in the Field: A flash goes off as a group of people pose for a picture. A man teaches a woman a little dance move. A group of people bust up laughing. A girl gasps at an impressive routine, and people nearby look over to see what is going on. Are you the observer when these things happen, or the observed?

Tuesday, September 11, 2007

Pick Up Artist - The 3-Second Rule

The 3-Second Rule

You want to be in a set within three seconds of entering the venue. Just walk right up to the first set of people that you see and open them. This is called the 3-second rule. Remember, you are not only working the set, but the entire room-No one else knows whether you are already acquainted with these people. It certainly seems as if you know them — you entered the venue, walked right up to them, and now they are having a fun conversation with you. You must be a social guy with lots of friends!

Then you move on to the next set, and the positive perception of you continues to grow. You are becoming socially proofed in this venue. Notice the magical ease with which sets will open up to you when you have this level of social proof For this reason, it is important not to be too selective in choosing your sets. It's better to be in a set than to get picky and end up alone when you should be working the room.
Another interpretation of the three-second rule states: Within three seconds of spotting a set that you want to open, you must open that set.

This really adds a natural spontaneity to the approach. The difference in your state of mind is noticeable. A woman can usually tell when a man is working up the courage to approach her, which can lower her perception of his value. But if you follow the three second rule, she will have a feeling like you just popped up out of nowhere. A very nice energy is added to the interaction when following this rule.

Sunday, September 9, 2007

Pick Up Artist - Describe in terms of sensation and emotion

Describe in terms of sensation and emotion

When telling stories, men tend to focus on the facts at hand, whereas women look for the sensation and emotion caused by the experience. Structure your language to take this into account. Example:

Bad: This guy grabbed my ass, can you believe that? I looked like an idiot.
Good: Then I felt a strong hand caress my ass and grip it tightly. I turned around, and there was this man with a handlebar mustache smiling suggestively at me. All the girls started laughing. I have never.. .felt so surprised.. .and embarrassed.. .in my entire life!

Notice how the above story segment conveys the emotions of surprise and embarrassment — both of which are useful during a story. Three or four story segments like this put together can lead the listener through a little emotional journey. With skilled delivery, this is a DHV, even if it doesn't reveal some value-raising factoid about your lire.

Friday, September 7, 2007

Pick Up Artist - Just tell her how you "view" her

Just tell her how you "view" her, and she will become that person for you, but only if she agrees and it is flattering for her. You are building a character for her, and she will play the role because she likes the way that the role makes her feel. Here are some examples of compliments:

• "You seem like someone who really knows what she wants, I admire that."
• "You really care about your friends. I bet you will make a really good mother."
• 'You have a good energy."
• "I notice you're the leader of your friends. Why is that?" • "You're a great conversationalist."
• "You're a very classy girl. What are you doing in a place like this?"
• "Wow you seem so confident with your friends, like you're kinda the leader of your peer group. I just love your energy... -> Are you close with your family?'" [Going into next routine.]
• "You have such an expressive personality ... That's a valuable thing in the entertainment industry. There are a million women who are beautiful; I just came back from Florida, but how many do you think have an outgoing personality like yourself? I'm telling you, that's a very attractive quality and a valuable asset."

Wednesday, September 5, 2007

Pick Up Artist - Mystery's Kiss Close

Mystery's Kiss Close

You ask, "Would you like to kiss me?
If she says yes, kiss her.

If she says, "Maybe," ''Why?", "What do you mean" or "I donno" it means she does, but is shy about it. Reply with a gleam in your eye, "Let's find out..." *kiss* Remember to caress the back of her neck to show you mean business

If she says no, you reply, "Well I didn't say you could, it just looked like you had something on your mind." (Don't ask "Why not?"This shows low self-esteem.)
If she says, "not yet" or "not here" it means she is open to it but there is a logistical issue. Perhaps her friends are nearby, or she needs more gaming first. Say, "I understand," and continue gaming her.

Does it seem as if most of these lines involve asking her for permission in order to kiss her? Is that wimpy? They are just considerations. We've found that just going for the kiss without indicating your intentions can sometimes lead to embarrassment — more than her saying just saying no. When she says no, that is much easier to save face from than the situation where you try to kiss her and she moves away.
That having been said, feel free to field-test every possible kiss move that you can think of. Just go right in for the kiss without saying a word. If she turns her head, use your hand to turn it back and kiss her anyway. Test it out a hundred times. Be enthusiastically willing to brainstorm and experiment.

Monday, September 3, 2007

Pick Up Artist - Tips in the Venue

Tips in the Venue

Bars and clubs are probably not the venues where you plan to find your future wife. Nevertheless, these are target rich environments and thus are perfect for practicing game. Here are some tips:
• As a general rule — but not a dogmatic one — don't offer to buy drinks for girls. If she asks you to buy her a drink, turn her down. Although you can break this rule, it's preferable to get your game so tight that she will be buying you drinks.
• Be willing to crash and burn on every set for the entire night. Do it for fun with your wing.
• Give your wing S200. Then he gives you $20 every time you approach a set. This game is very effective.
• Be willing to go out alone if you have to.
• Don't hold your drink in front of your chest like a security blanket. Hold it low to your hip.
• Don't try to look 'cool' or 'tough,' or you will just look boring. Instead, be comfortable and friendly.
• Enthusiasm is contagious.
• Smile as you walk around the venue. Guys who don't get laid, don't smile.
• Once you open a set, stop smiling so much. You don't want to appear try-hard.
• You ran your opener, but the set didn't hook? Run another one. Stack your material if for no other reason than to get practice. Stacking routines is a useful skill in-and-of itself.
• It usually takes three warm-up approaches to really get in the groove.
• Avoid noisy areas. If you can't talk, you can't run game. Find the quiet areas of the club. And avoid the dance floor — it's a trap.