Sunday, September 9, 2007

Pick Up Artist - Describe in terms of sensation and emotion

Describe in terms of sensation and emotion

When telling stories, men tend to focus on the facts at hand, whereas women look for the sensation and emotion caused by the experience. Structure your language to take this into account. Example:

Bad: This guy grabbed my ass, can you believe that? I looked like an idiot.
Good: Then I felt a strong hand caress my ass and grip it tightly. I turned around, and there was this man with a handlebar mustache smiling suggestively at me. All the girls started laughing. I have never.. .felt so surprised.. .and embarrassed.. .in my entire life!

Notice how the above story segment conveys the emotions of surprise and embarrassment — both of which are useful during a story. Three or four story segments like this put together can lead the listener through a little emotional journey. With skilled delivery, this is a DHV, even if it doesn't reveal some value-raising factoid about your lire.

Friday, September 7, 2007

Pick Up Artist - Just tell her how you "view" her

Just tell her how you "view" her, and she will become that person for you, but only if she agrees and it is flattering for her. You are building a character for her, and she will play the role because she likes the way that the role makes her feel. Here are some examples of compliments:

• "You seem like someone who really knows what she wants, I admire that."
• "You really care about your friends. I bet you will make a really good mother."
• 'You have a good energy."
• "I notice you're the leader of your friends. Why is that?" • "You're a great conversationalist."
• "You're a very classy girl. What are you doing in a place like this?"
• "Wow you seem so confident with your friends, like you're kinda the leader of your peer group. I just love your energy... -> Are you close with your family?'" [Going into next routine.]
• "You have such an expressive personality ... That's a valuable thing in the entertainment industry. There are a million women who are beautiful; I just came back from Florida, but how many do you think have an outgoing personality like yourself? I'm telling you, that's a very attractive quality and a valuable asset."

Wednesday, September 5, 2007

Pick Up Artist - Mystery's Kiss Close

Mystery's Kiss Close

You ask, "Would you like to kiss me?
If she says yes, kiss her.

If she says, "Maybe," ''Why?", "What do you mean" or "I donno" it means she does, but is shy about it. Reply with a gleam in your eye, "Let's find out..." *kiss* Remember to caress the back of her neck to show you mean business

If she says no, you reply, "Well I didn't say you could, it just looked like you had something on your mind." (Don't ask "Why not?"This shows low self-esteem.)
If she says, "not yet" or "not here" it means she is open to it but there is a logistical issue. Perhaps her friends are nearby, or she needs more gaming first. Say, "I understand," and continue gaming her.

Does it seem as if most of these lines involve asking her for permission in order to kiss her? Is that wimpy? They are just considerations. We've found that just going for the kiss without indicating your intentions can sometimes lead to embarrassment — more than her saying just saying no. When she says no, that is much easier to save face from than the situation where you try to kiss her and she moves away.
That having been said, feel free to field-test every possible kiss move that you can think of. Just go right in for the kiss without saying a word. If she turns her head, use your hand to turn it back and kiss her anyway. Test it out a hundred times. Be enthusiastically willing to brainstorm and experiment.

Monday, September 3, 2007

Pick Up Artist - Tips in the Venue

Tips in the Venue

Bars and clubs are probably not the venues where you plan to find your future wife. Nevertheless, these are target rich environments and thus are perfect for practicing game. Here are some tips:
• As a general rule — but not a dogmatic one — don't offer to buy drinks for girls. If she asks you to buy her a drink, turn her down. Although you can break this rule, it's preferable to get your game so tight that she will be buying you drinks.
• Be willing to crash and burn on every set for the entire night. Do it for fun with your wing.
• Give your wing S200. Then he gives you $20 every time you approach a set. This game is very effective.
• Be willing to go out alone if you have to.
• Don't hold your drink in front of your chest like a security blanket. Hold it low to your hip.
• Don't try to look 'cool' or 'tough,' or you will just look boring. Instead, be comfortable and friendly.
• Enthusiasm is contagious.
• Smile as you walk around the venue. Guys who don't get laid, don't smile.
• Once you open a set, stop smiling so much. You don't want to appear try-hard.
• You ran your opener, but the set didn't hook? Run another one. Stack your material if for no other reason than to get practice. Stacking routines is a useful skill in-and-of itself.
• It usually takes three warm-up approaches to really get in the groove.
• Avoid noisy areas. If you can't talk, you can't run game. Find the quiet areas of the club. And avoid the dance floor — it's a trap.

Wednesday, August 29, 2007

Pick Up Artist - Emotional investment

Emotional investment. Women are reluctant to allow themselves to become emotionally vulnerable around men of dubious intent or low S and R value. A woman knows that once she gets emotional, it becomes much more difficult to extract herself from the situation.

• Physical investment. Kissing is a bigger investment than walking arm-in-arm. Sex is the biggest investment of all.
• Time. The more time you spend together, the more invested she becomes. It takes an average of four to ten hours before sex.
• Effort. Is she chasing? People don't value that which comes too easily.
The more effort she puts in, the more invested she has become.
• Money. Did you buy her a drink, or did she buy one for your
Many of the tactics in the game are not designed to attract her, but rather to use that attraction as bait in order to get her more invested in her interaction with you. (See chapter 6 for these tactics.

Tuesday, August 28, 2007

Pick Up Artist - Discomfort and confrontation

Discomfort and Confrontation

Women tend to avoid discomfort and confrontation. This may seem rather common-sense, but these points are critical to achieving success in the game:

• Have a positive, open attitude. Don't be judgmental or jealous.
• Don't act as if tilings are a big deal. They aren't.
• Don't complain or be emotionally punishing. If you call her on her shit while talking on the phone, she will just avoid talking to you on the phone. Instead of being the whiny or emotionally abusive boyfriend whenever she pulls a fast one, be the guy who has plenty of options.
• If she flakes on you, don't confront her about it next time you see her. Are you the guy who sat around and got upset? Or are you the guy who called over another girl and then forgot all about it?

Thursday, August 23, 2007

Pick Up Artist - Another example of female intuition

Another example of female intuition

Women often look for the "real meaning" behind what you say. For example, if you tell a story about your "friend-" she will usually assume that you are actually talking about yourself. This can be useful when the story demonstrates higher value. For example, if you don't want to look like a braggart, you could say, "My friend hooked up with this amazing girl and they had wild sex all weekend..."

On the flipside, if you want her to believe that the story really is about someone else (like if it demonstrates lower value) then use a specific name. For example, "My friend Craig woke up last weekend with a condom in his ass and..."
Shell assume you really are talking about someone else if you give him a name.